'The Lord of the Rings: The Rings of Power': OG music composer Howard Shore behind title theme for fantasy series
'The Lord of the Rings: The Rings of Power' premieres on Amazon on Thursday, September 2, 2022. The 'The Lord of the Rings' franchise has invested many millions of dollars in the project, so all fans expect it to be one of the best fantasy adventure projects of this year.
Any great project needs a huge support system to stand tall, such as visual effects, a reliable cast, and crew members who help the creators non-stop every day, a visionary team of creators for the project, an amazing cast of actors, and what else? The music! If the film or series does not have a person who understands the kind of music the project needs, it will always remain incomplete.
Here is everything you need to know about how the music evolved for the multi-million dollar project 'Lord of the Rings: Rings of Power'.
READ MORE
Howard Shore, the composer of the 'The Lord of the Rings' and 'Hobbit' films, was reportedly in talks with Amazon about joining the series in September 2020. He was said to be interested in developing musical themes, but not necessarily composing all the music. A year later, it was confirmed that Shore was in talks for the series when it was reported that composer Bear McCreary was also involved. Their hiring was officially announced in July 2022, with McCreary composing the music and Shore writing the main theme. McCreary said the main theme was written independently of the film's score, but he thought the two went so well together.
McCreary began work on the series in July 2021 and said it was a once-in-a-lifetime opportunity to work on such an ambitious score with the creative freedom he desired. He spent two months writing new musical themes based on the scripts, which he likened to writing a symphony, and then used them to compose nine hours of music for the first season in eight months. He wanted to honor Shore's musical legacy and hoped to create a continuity of concept between the series and films, with the 15 new themes he wrote for the season being added to the pantheon of memorable melodies that Shore had written. He did note that his music would reflect the series' depiction of "these societies at their peak compared to Shore's music for the Third Age which had a wistfulness and a melancholy. McCreary used different approaches for the different groups in the series: the music for the Elves features "ethereal voices" and choir, the Dwarven music has deep male vocals, the Harfoots have music based on natural sounds, and the harmonic language for Númenor has Middle Eastern influences.
Recording for each episode took four days, using up to 90-piece orchestras at Abbey Road Studios and AIR Studios in London, and a 40-piece choir at Synchron Stage in Vienna. For the choral music, McCreary drew on texts from Tolkien's writings and worked with the series' language experts to write new texts in Tolkien's fictional languages, including the Elvish languages Sindarin and Quenya, the Dwarvish language Khuzdul, Black Speech and the Númenoric language Adunaic. Soloists were recorded in Los Angeles and across Europe playing folk instruments such as the Hardanger fiddle, nyckelharpa, bagpipes, and bodhrán drums. McCreary was still writing music for the first season in Los Angeles while recording for most of the episodes took place, but he was able to conduct the orchestra for the final episode at AIR Studios in April, 2022. Two singles from McCreary's score, Galadriel and Sauron, were released on Amazon Music on July 21. They were followed by a full soundtrack album featuring Shore's main theme and selections from McCreary's score.
The album was released on all major streaming services on August 19, 2022, and will be physically released by Mondo on CD (October 14, 2022) and vinyl (January 13, 2023). The Amazon Music version of the album includes two exclusive tracks. Additional soundtrack albums featuring the complete music for each episode will be released after each episode premieres. All music was composed by Bear McCreary and Howard Shore unless otherwise noted.