Lee Cronin’s ‘The Mummy’ reveals spine-chilling plot in new trailer and it’s nothing like we expected

A missing girl returns after eight years from a sarcophagus, and her homecoming turns terrifying fast.
PUBLISHED 1 HOUR AGO
A screengrab of Natalie Grace taken from Lee Cronin’s ‘The Mummy’ trailer (Cover Image Source: YouTube | @WarnerBros)
A screengrab of Natalie Grace taken from Lee Cronin’s ‘The Mummy’ trailer (Cover Image Source: YouTube | @WarnerBros)

Okay, first things first: how many mummies is Hollywood planning to wake up this decade? Apparently, at least one more. When word first spread that Lee Cronin was taking a crack at ‘The Mummy’, people raised eyebrows. Fair enough. So the big question floating around was simple: what makes this version stand apart instead of feeling like yet another bandaged retread? Now we have a clearer picture. And it’s not what you’d expect. Instead of pyramids collapsing and explorers running for their lives, this story focuses on a family. Eight years ago, their daughter vanished in Cairo. Just gone. Then out of nowhere, the phone rings.

Authorities say she’s been found. She’s alive, but not exactly. The new trailer leans into that uneasy calm before something goes terribly wrong. A doctor warns the parents in a very serious tone that “It’s very important you fully prepare yourself for what you are about to see. No sudden moves. No loud noises.” You can almost feel the tension buzzing in the air before the hospital doors open. And then there’s Katie. She’s spent eight years sealed inside a 3,000-year-old sarcophagus. When she steps back into her parents’ lives, she isn’t the child they lost. She’s something else entirely.

Katie is not breathing the way she should, and she’s disturbingly cheerful about it. “Don’t worry grandma, it’s fun to be dead,” she chirps in one moment that lands somewhere between dark humor and pure nightmare fuel. That line alone tells you this isn’t going to be a straightforward monster movie. It feels more like domestic horror with an ancient curse stitched into its skin. And that’s where the concept gets interesting. Director Lee Cronin has made a habit of taking familiar horror frameworks and twisting them into something that feels uncomfortably personal.

He shook things up with ‘Evil Dead Rise’, which pulled the franchise out of its forest cabin comfort zone and dropped the nightmare into a cramped apartment building. That film pulled in $147 million worldwide in 2023. Before that, he caught attention with ‘The Hole in the Ground’, which premiered at Sundance. The movie was about a mother questioning whether her child was truly her child. See the pattern? Cronin seems drawn to stories where family bonds twist into something unsettling. 

This new take on ‘The Mummy’ fits right into that lane. Meanwhile, Jack Reynor and Laia Costa play the grieving parents who suddenly get their daughter back. May Calamawy, Natalie Grace, and Veronica Falcón round out the cast. New Line is backing the project, and the release date is locked in for April 17. A spring horror launch can be a gamble, but sometimes counterprogramming works like a charm. Audiences might just be ready for something eerie that doesn’t rely on nostalgia or recycled plot beats.

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