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'Emily in Paris' Season 4: 5 annoying things the Netflix show must change

Netflix's 'Emily in Paris' features Lily Collins, Philippine Leroy-Beaulieu and Ashley Park in key roles
PUBLISHED AUG 11, 2024
Let's look at the five bothersome things that Lily Collins starrer 'Emily in Paris' should change in the forthcoming season (@netflix)
Let's look at the five bothersome things that Lily Collins starrer 'Emily in Paris' should change in the forthcoming season (@netflix)

Contains speculations for 'Emily in Paris' Season 4

PARIS, FRANCE: Set against the glitz and glamour of Paris, Netflix is all set to premiere the first part of Season 4 of 'Emily in Paris' on Thursday, August 15, 2024.

The show, created by Darren Star, chronicles the adventures of Emily Cooper (Lily Collins), who unexpectedly lands a job in Paris and attempts to integrate herself into the colorful city's culture.

However, things aren't going as planned as Emily continues to face obstacles in terms of romance and career, yet the show has managed to grab hearts.

While the show is certainly enchanting, some tropes have begun to grate on fans. Let's look at the 5 most annoying things that need to be addressed in the upcoming season.

1. The romantic-comedy 'Emily in Paris' needs to be more self-aware

Let's discuss whom will Emily Cooper will choose in 'Emily in Paris' Season 4 (@netflix)
Lily Collins as Emily Cooper in a still from 'Emily in Paris' (Netflix/@stéphaniebranchu)

When Season 1 of the show debuted, it was heavily criticized for its lack of self-awareness, yet it continued with its tradition and became a guilty pleasure for many.

The show's main flaw has to be its excessively unrealistic plots, which are taken too seriously, and Season 4 should adopt a more light-hearted approach.

Throughout the show, Emily manages to attract prominent clients for Savoir, which I believe is exceedingly implausible given that meeting a significant individual in real life requires one to literally break their head open.

So, undoubtedly it's high time that the show leans more towards being self-aware.

2. The romantic triangle trope should be banned from 'Emily in Paris' 

Lily Collins and Lucas Bravo in a still from 'Emily in Paris' (Netflix/@marieetchgoyen)
Lily Collins and Lucas Bravo in a still from 'Emily in Paris' (Netflix/@marieetchgoyen)

The continuing conflict between Emily, Gabriel (Lucas Bravo), and Camille (Camille Razat) has dominated the narrative for the earlier seasons, restricting character growth and plot advancement.

The characters' inability to evolve beyond their conventional positions is due to the persistent emphasis on the love triangle.

Emily, Gabriel, and Camille's identities are mainly static, determined primarily by their love entanglements, and with the arrival of Alfie (Lucien Laviscount), this triangle has now turned into a quadruplet of sorts.

It's high time the show gets away from the typical rom-com premise and explores the nuances of contemporary relationships without resorting to stale clichés.

3. The superficial Parisian lifestyle should be eradicated from 'Emily in Paris' 

Lily Collins and Ashley Park in a still from 'Emily in Paris' (Netflix/@carolebethuel)
Lily Collins and Ashley Park in a still from 'Emily in Paris' (Netflix/@carolebethuel)

There is no denying that the superficial portrayal of the Parisian lifestyle in the show seems shallow.

The portrayal often contains clichéd characteristics such as gorgeous apparel, high-end events, and a seemingly easy lifestyle that fail to correctly represent the complexity of actually living in Paris.

Our very own protagonist, Emily's wardrobe is often portrayed as the pinnacle of Parisian elegance, with each item carefully picked and pricey.

I understand Emily has a good paycheck, but dressing up in high-end clothes frequently is an unrealistic expectation of Parisian living, where fashion is often about personal expression and originality rather than luxury labels.

4. Over-the-top marketing campaigns need to be taken off from 'Emily in Paris' 

Philippine Leroy-Beaulieu, Bruno Gouery, Lily Collins, and Samuel Arnold in a still from 'Emily in Paris' (@netflix)
Philippine Leroy-Beaulieu, Bruno Gouery, Lily Collins, and Samuel Arnold in a still from 'Emily in Paris' (@netflix)

The marketing strategies in the show are sometimes overblown to the point of being ridiculous. One prime example is the viral marketing, which makes people appear like their dogs.

While the concept is quirky and unique, the show portrays it as an immediate success, with people eagerly participating and the campaign gaining traction with ease.

Now, in reality, such a campaign would encounter significant hurdles. First, persuading consumers to interact with a marketing gimmick, especially one as odd as this, would require a major effort in terms of advertising, rewards, and maybe a lengthy build-up to create momentum.

I wish these over-the-top marketing campaigns would simply vanish from the show, because it takes a lot of thought and hard work to make anything a major success in reality, and sometimes your hard work does not yield the expected results.

5. Exaggerated American stereotypes should be a thing of the past for 'Emily in Paris' 

Lily Collins in a still from 'Emily in Paris' (Netflix/@stéphaniebranchu)
Lily Collins in a still from 'Emily in Paris' (Netflix/@stéphaniebranchu)

One of the most criticized parts of the story is Emily's portrayal as the symbolic American abroad.

While the show attempts to reflect the appeal and thrill of living in Paris, it often falls short by relying on overly simplistic and clichéd depictions of American society.

One major concern is the portrayal of Emily as a loud, obnoxious American. Emily is usually portrayed as excessively optimistic, overconfident, and culturally insensitive. It is critical to create a more nuanced image of an American in Paris.

It would be delightful if Emily could be seen embracing and enjoying French culture while grappling with cultural barriers.

How to stream 'Emily in Paris' Season 4?

Lily Collins and Ashley Park in a still from 'Emily in Paris' (Netflix/@carolebethuel)
Lily Collins and Ashley Park in a still from 'Emily in Paris' (Netflix/@carolebethuel)

To watch the series on Netflix, you must first have a streaming membership. Netflix has a variety of subscription choices to suit various budgets.

The Standard Plan, which includes advertising, has a monthly membership charge of $6.99 and supports high-definition (1080p) streaming.

The Standard Plan costs $15.49 per month and does not include any advertising. It enables you to utilize a single account on two screens at once while streaming content in 1080p/full HD resolution.

The Premium Plan, which costs $22.99 a month, allows customers to concurrently stream 4K Ultra HD video on four screens while also supporting Dolby Atmos and HDR.

'Emily in Paris' Season 4 Part 1 trailer



 

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