'Call Her Ganda' shows how a marginalized Filipino transgender community takes on a superpower to seek justice

Even though the film centers around the tragic case of Jennifer's brutal killing, the storyline encapsulates so much more with the relentless fight put up by her mother, Julita, to bring justice to her daughter.
PUBLISHED OCT 2, 2018

Director PJ Raval's "Call Her Ganda" is a powerful non-fiction investigative documentary about the murder of a Filipina transwoman at the hands of a teenage American Marine and how three women — deeply affected by the killing — fight to seek justice from a foreign superpower. The film, which comes across as an amalgamation of a murder mystery, a courtroom drama and trans-rights activism, also throws light on the deeply troubling post-colonial relationship of the United States with its once colony, Philippines. 

Joseph Scott Pemberton, a 19-year-old American Marine, took shore leave in Olongapo City, Philippines in October 2014, where he met Jennifer Laude, a 26-year-old Filipina transgender woman at a bar. The duo subsequently went to a motel room where Laude was later found dead: half-naked, neck blackened with strangulation marks and her head submerged in a toilet bowl. Pemberton was declared the prime suspect in the case and the possible motive was concluded that the Marine was surprised to learn Laude was a transgender and not a woman, and apparently snapped and killed her in a fit of rage and humiliation.

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